This week our lecturer want us to write about the relationship between French Impressionist cinema and a Hong Kong movie called "In the Mood of Love" (2000), it is a romance movie that wants to picture the life of both a man and a woman which are neighbors living in Hong Kong in the 1960s.
Plot
A newspaper editor Mr.Chow moves into a building with his wife the same time as Ms. Su and her husband. Despite their spouse often working out late, Chow and Su became friends and hang out together very often, this is because they went to the same noodle stall and have the common interest of martial arts. Things were going fine for them until both of their spouses were suspected having an affair. Feeling confused and questioned, they try to maintain their friendship while recreating the scenes that how their love ones cheat on them.
French Impressionism Cinema
The movie has emphasized on using French impressionist cinema techniques, there are 4 categories to differentiate this technique from others which are camerawork, mise-en-scene, editing patterns and optical devices.
As for camerawork, there are different types of categories that could explain this technique. One is the camera distance to show a synecdoche, symbol or subjective image. By using close-up, it focuses on the character’s emotions and let the audience feel their perspective in the movie. For example, when the both main characters were standing in front of their doorstep, preparing to open the door. Another example is when they both were eating inside a restaurant, the camera focuses on the faces to show their emotions. Another part of camerawork is the camera angles. They used peeping angle to show what people is thinking about them, because they did everything very secretly, raising suspicion.
The second aspect used in French Impressionism Cinema is Mise-en-scene. When talking about lighting, one could tell that the mood changes with the lighting. The scenes which are dark or only with one light source represents loneliness or hiding from the outside society. The third way to show it is the arrangement and movement of figures in space. For example, in the scene that focuses on the smoke on top of Chow, it shows that his mind is very cloudy.
The third aspect optical devices , filmmakers in French impressionism uses it for multiple reason, one of it as significant details. One of the brilliant examples is when shooting scenes involving their cheating spouses, the face of them were not revealed, this is because it is not important to the story. This has emphasized that the story only focuses on the two main characters and also to sympathize the two main characters Mr. Chow and Ms. Lu.
Another type is using optical devices as conveyors of abstract meanings , when there are shots that both the characters are buying noodles, it shows the time they spent meeting each other and getting close to each other, as an abstract meaning, they are becoming friends as time passed by.
The last aspect is when a film is using characteristic editing patterns , it could relate to French Impressionist cinema. The first way is to include temporal relations between shots to indicate flashback moments or fantasy. For example, there are some scenes where the both characters freezes, to show that they are embedding the moment as a memory.
Impressions
The movie has a number of hidden messages and has put camerawork to good use, I really enjoy watching movies like that, especially a movie that was filmed by Kar Wai Wong. Overall it is a great movie and the actors are very good in bringing out the aspects of the characters.